Goudy series (1916), based on Goudy’s Goudy Old Style.Light Oldstyle (1916), possibly an old front from Inland Type Foundry, but sometimes credited to Benton.Souvenir (1914), later Ed Benguiat’s photo-type versions of this type would achieve huge popularity.Lithographic Shaded (1914), a half-shaded version of Engravers Shaded by W.Antique Shaded (1914), cut on a new shading machine invented by Linn Boyd Benton.Packard (1913), based on lettering by Oswald Cooper.Cromwell (1913), uses capital letters from Benton’s Cloister Old Style.Later copied by Damon & Peat as Armstrong. Della Robbia Light (1913), based on T.M.Cloister Cursive Handtooled (1926), with Charles H.Cloister Italic (1913), based on the 1501 italic face of Aldus Manutius.Cloister Old Style (1913), based on the 1470 Venetian face of Nicolas Jenson.Copperplate Gothic Shaded (1912), an addition to Goudy’s Copperplate series.Engravers Bodoni (1933), designed in 1926.Ultra Bodoni Condensed + extra condensed (1933).Bodoni series, first American revival of the faces of Giambattista Bodoni.Lightline Gothic (1908), essentially a News Gothic ultra light.Clearface series, designed with the help of his father, Linn Boyd Benton.Engravers Old English (1906), based upon Caslon Text and designed in association with "Cowan" or perhaps Joseph W.Cushing Antique (1905), design suggested by J.S.Typo Upright (1905), originally Tiffany Upright.Lower-case letters are identical with Phinney's earlier Flemish Black (1902). It is an adaptation of Priory Text, an 1870s version of William Caslon’s Caslon Text of 1734.
Phinney, but many authorities give full credit to Benton.
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